Where was the painter Jan de Beer born?
Jan de Beer was born around 1475 as the son of the painter Claes de Beer. His place of birth was in or near Antwerp. Claes de Beer and his family are known to have had possessions in Ekeren near Antwerp.
When did Jan de Beer paint the Adoration of the Magi?
The Adoration of the Magi in the Pinacoteca is central to Jan de Beer’s oeuvre. The work was completed in 1515 with the assistance of his thriving workshop. It has been suggested by an art historian that the two wing panels were entrusted by Jan de Beer to the so-called ‘Master of Amiens’, one of his best students.
What was the impact of De Beer’s triptych?
The triptych had an important influence on Venetian painting in the 1520s, particularly on the work of Lorenzo Lotto and Girolamo Savoldo. These Italian artists were especially fascinated by the effects of supernatural light that illuminated de Beer’s nocturnal scenes.
Why was Jan de Beer invited to the town of Dunkirk?
Jan de Beer and Matsys were invited to judge in a dispute over the quality of a painted and carved altarpiece commissioned for the town of Dunkirk in 1509. De Beer and Metsys were both fellow aldermen of the Antwerp Guild of Saint Luke.
Jan de Beer was born around 1475 as the son of the painter Claes de Beer. His place of birth was in or near Antwerp. Claes de Beer and his family are known to have had possessions in Ekeren near Antwerp.
The triptych had an important influence on Venetian painting in the 1520s, particularly on the work of Lorenzo Lotto and Girolamo Savoldo. These Italian artists were especially fascinated by the effects of supernatural light that illuminated de Beer’s nocturnal scenes.
The Adoration of the Magi in the Pinacoteca is central to Jan de Beer’s oeuvre. The work was completed in 1515 with the assistance of his thriving workshop. It has been suggested by an art historian that the two wing panels were entrusted by Jan de Beer to the so-called ‘Master of Amiens’, one of his best students.
Jan de Beer and Matsys were invited to judge in a dispute over the quality of a painted and carved altarpiece commissioned for the town of Dunkirk in 1509. De Beer and Metsys were both fellow aldermen of the Antwerp Guild of Saint Luke.
