What was the fake photo on the front page of the New York Times?
The Pulitzer Prize-worthy photo was published on the front page and widely circulated around the world. Then the picture was outed as a fake. Walski had manipulated two different photographs to create the dramatic image.
Who was the man in the New York Photo?
Then it was discovered that the picture was of 25-year-old Peter Guzli from Budapest, who had manipulated a photo of a previous trip to New York as a “joke” between friends. He admitted, “I intended this joke for my friends only, not for people who did not know me.”
Where was the photograph of Ike Altgens taken?
For the sake of our discussion, and to put things into proper perspective, here is a possible time line for James Altgens and his roll of film: 2. Snaps the Altgens8 photograph from his position on the South curb of Elm Street. Runs up the embankment following Secret Service Agents and Motorcycle cops.
What did Lyn May do as a vedette?
As a vedette, May included singing in her shows in nightclubs and cabarets. In 1975, filmmaker Alberto Isaac chose May as one of the main protagonists of the famous film Tívoli. With the success of the film, May became fully incorporated into Mexican Cinema, particularly the genre known as Ficheras film of the 1970s and 1980s.
Who was the photographer for the end of Camelot?
King recently shared the story behind the previously unpublished photos that mark the end of Camelot: My father, H. Warner King, was an amateur photographer in New Zealand during the Second World War. He frequently shot with his trusty Leica and multiple lenses on Kodachrome slide film.
What did Lyn May do in Acapulco?
Born 1952 as Liliana Mendiola Mayanes in Acapulco, Mexican vedette, Exotic dancer and actress Lyn May began to work in the cabaret “El Zorro”, as a dancer. Eventually she worked at the Tropicana cabaret in Acapulco, where she alternated with the popular Mexican comedian Germán Valdés “Tin Tan”.
What kind of camera did my father use?
My father, H. Warner King, was an amateur photographer in New Zealand during the Second World War. He frequently shot with his trusty Leica and multiple lenses on Kodachrome slide film. He was always interested in photography and was very organized in how he archived his pictures.