What kind of Glaze did Yongzheng vases use?
Vases from the Yongzheng and Qianlong periods often have zhuanshu (archaic script) seal marks. The marks appear on the base in underglaze blue or are incised or moulded. The glaze associated with the use seal marks simulates bronze or iron – indicating the archaic influence.
What was Yongzheng’s blue and white reign like?
The chief characteristic of blue-and-white in the reign of Yongzheng is the archaic taste both in form and in decoration. However, the copy is rarely faithful; the influence of the 18th century is apparent even in the transposition of the past.
Who was the Yongzheng Emperor of Qing China?
As the Yongzheng Emperor ( 雍正: r. 1723–1735 CE) of Qing China, Yinzhen was indubitably a very diplomatically inclined ruler who created an institution of a “moral government” based on the Confucian principles. Yinzhen sought four distinctive qualities: loyalty— 忠, fairness— 公, sincerity— 誠, and capability— 能,…
What kind of decoration did the Yongzheng Emperor use?
The silvery blue of Chenghua, the violet sheen of Jiajing are also reproduced, again with a varying degree of success. Decoration repeats Ming themes: lotus scrolls, peonies, tight arabesques of leaves and clouds.
Vases from the Yongzheng and Qianlong periods often have zhuanshu (archaic script) seal marks. The marks appear on the base in underglaze blue or are incised or moulded. The glaze associated with the use seal marks simulates bronze or iron – indicating the archaic influence.
The chief characteristic of blue-and-white in the reign of Yongzheng is the archaic taste both in form and in decoration. However, the copy is rarely faithful; the influence of the 18th century is apparent even in the transposition of the past.
What was the imperial mark of Yongzheng written on?
These are all delicately painted with poems written in black characters and framed in red seal script. The nianhao (Imperial mark) of Yongzheng is inscribed in a square on the base of the object, usually in blue, mauve or yellow ink.
The silvery blue of Chenghua, the violet sheen of Jiajing are also reproduced, again with a varying degree of success. Decoration repeats Ming themes: lotus scrolls, peonies, tight arabesques of leaves and clouds.
