Where did Jade vases in ancient China come from?
Jade vases such as the present work proliferated during and after the Qianlong period, and can be traced to the Qianlong Emperor’s fondness for innovative designs referencing archaic styles.
What was price of jade vase on Antiques Roadshow?
The present carving depicts the Confucian parable of Zhou Yanzi, a boy who bravely cloaked himself in deerskin among a herd of does to collect milk to reverse his elderly parents’ blindness. A Qing Dynasty Archaistic Pale Celadon Jade Baluster Vase and Cover also achieved $150,000 – three times its high estimate of $50,000.
Who are the most famous Japanese potters and marks?
Raku Kichizaemon Otagaki Rengetsu Hamada Shoji Kato Sekishun Sasaki Shoraku Murata Gen Shimaoka Tatsuzo Tsukigata Nahiko Koie Ryoji Ri Masako View All Brands Famous Japanese potters and marks Famous Japanese potters and marks
Where did Kasuga yama do most of his pottery?
The next year, he went to Kanazawa, in Kaga Domain, and began working at Mount Utatsu. He briefly returned to Kyoto before going back to Kanazawa in 1807, where he established the Kasuga-yama kiln. After abandoning it to return to Kyoto, he stayed in Kyoto permanently and continued his pottery there.
Jade vases such as the present work proliferated during and after the Qianlong period, and can be traced to the Qianlong Emperor’s fondness for innovative designs referencing archaic styles.
The present carving depicts the Confucian parable of Zhou Yanzi, a boy who bravely cloaked himself in deerskin among a herd of does to collect milk to reverse his elderly parents’ blindness. A Qing Dynasty Archaistic Pale Celadon Jade Baluster Vase and Cover also achieved $150,000 – three times its high estimate of $50,000.
Raku Kichizaemon Otagaki Rengetsu Hamada Shoji Kato Sekishun Sasaki Shoraku Murata Gen Shimaoka Tatsuzo Tsukigata Nahiko Koie Ryoji Ri Masako View All Brands Famous Japanese potters and marks Famous Japanese potters and marks
The next year, he went to Kanazawa, in Kaga Domain, and began working at Mount Utatsu. He briefly returned to Kyoto before going back to Kanazawa in 1807, where he established the Kasuga-yama kiln. After abandoning it to return to Kyoto, he stayed in Kyoto permanently and continued his pottery there.
